Dan, ... could you come up with some more specific suggestions as to how this will work? You did make some good suggestions...
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You appear to suggest that the majority of knot books are crap, because they parrott what has gone before without thinking and that color photos are put in to sell books.
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Therefore I need to follow to a certain extent what the publisher wants to have, because they are taking the financial risk.
I listened closely to a t.v. news blurb about the (most) recent case of plagiarism
(or, in author’s non-incriminating-speak, “internalizing (other’s words)”),
and then a follow-up insight that for many books, it is the PUBLISHER who dictates
much of the plot & characters, then seeks an author. I found this to be the case for
Maria Co[n]stantino’s books, where clearly she’d been contracted (after the publisher
couldn’t find some IGKT hack for it) to produce yet another Knots-101 book,
with resultant comedy of some goofs in ignorant paraphrase, etc..
But to the What to do, hmmm, a SIG-PracticalKnotting could inventory the
knotting by application area (user group), building the many knot-sets to each.
Now, KC falls to us from the uppeReaches of limbs, and we might have also other
contacts to the arborist world (and there area several on-line forums, and some
pub’d works). There are likely a few climbers (Derek & I claim some familiarity;
mine is slight, on the fringe (I like to spell it ‘s a f e’ if not ‘c h i c k e n’
);
maybe some cavers or SAR folks?
Commercial fishing has itself various fields, and all have some regional flavors,
I surmise. But e.g. only with this latter field, in their binding of lines & mesh in
netting, have I seen the Seizing Hitch–the tying of #1243 from R to L,
or top to bottom (end) as Ashley presents it, line running in spiral around whatever
is to be bound, knot sometimes serving to just give intermittent locking of this
spiral wrap. And many other knotted structures of commercial fishing aren’t visible
in published works I’ve been able to find.
Maybe there is sufficient research to be done back in time–read "with rare/old books,
scarce resources, good library–about the history of some knots. Anyone who’s
read Pieter van de Griend’s Letter to Lester can see how this can result
in revised histories, in doubt about the printed word (he sought the origin of the
Constrictor knot–reached a “?” loose end at Tom Bowling’s & Hjalmar Ohrvall’s
mention of it (no images), with neither implying that the knot was new to them
(unlike Ashley did, much later), but also giving no hint of their source for it)!
Maybe some SIG-Materials/Cordage could help describe the various cordage in
use, and to compile some collection of test data & other information. From my not
so well organized observations, I see conflicting information given about materials’
resistance to UV or abrasion, etc., in manufacturer data. A compilation of such would
put all that in more perspicuous contrast.
(My conjecture is that modern cordage has a vastly greater variety of surface
friction (materials & coatings), construction (lays & braids), & elasticity (from the
no-stretch high-mod.s to elonnnnnnngating nylon) than in the past, but much
of the parroted information re knots is brought forward without good adaptation
(this, too, a basis for the Surrey Six).
Peter Suber continues, but has for some time been absorbed with a new job and
unable to actively update/maintain his big WWWebsite on knotting. Maybe some
folks could offer to help out there, or to mirror via clean-up?
Both the practical-knotting SIG & some impractical/worthless-er-decorative-knotting
SIG (smiley smiley SMILEY) could seek by simple look-&-see-&-record compilation
greatly expand the current IGKT WWWeb site’s “Other Websites of Interest”,
perhaps with some further categorization of listings–there’d be lots of folks’ own
sites up for decorative works, easily! And maybe there’d be a periodically updated
Overview document giving some explanation of the area as an introduction to the
collected sites (which might be seen as furthering what P.Suber has done).
E-mail, e-communications are fast; but personal lives move in a different pace,
and we must build our patience remembering that, too.
–dl*